The Six Powerspots Of Murugan Skanda: Aru Padaiveedu – Inditales


Kartikeya is also known as Skanda as one who is light. He is also Subramania or the one who is and takes us to Brahman or the all-expansive divinity, Swami (the dear God), Kumara (the ever youthful), and Guha (one who is in a cave deep within our hearts, experienced after peeling away all our negativities). He emerged from the third eye of Shiva (the eye of fire of knowledge) to vanquish asuras or demons (most of them being within us). He is called Murugan in Tamil, which means the beautiful one. Another interpretation is that he is the essence of the Trimurti. Mu is for Mukunda (Vishnu), Ru is for Rudra (Shiva), and Ka (represents Brahma).

“Ayanenavagiariyenavagiaranenavagiavarmelay; igaramumagievaigalumagiinimaiyumagivaruvone; irunilameedhileliyanumvazhaenathumunodivaravenum!”

You became Brahma, you assumed the form of Vishnu, you are Shiva. And you transcended the Trimurti. You are everything in this world; you are everything in all worlds. You come to us as sweetness; You should come running in front of me so that I can live successfully in this world!”

Six Powerspots Of Murugan Skanda: Aru Padaiveedu

Sri Arunagirinathar in the Tirupugazh, songs praising Skanda, titled “Agaramumaagi”.

Although there are many temples that worship Murugan, there are six places associated with significant events or his leelas documented in the Puranas. These six sites are said to be connected to the six chakras or energy centers of our bodies. They are called aarupadaiveedu. Aaru means six. Veedu means home. Padai means camp. The combined meaning is the residence of Skanda, where he helps us overcome our various battles of life.

The number six has a significant association with Murugan. He is shown to have six faces. Five faces for the five “visible” faces of Shiva (Sadyojatham, Vamadevam, Aghoram, Ishanam, and Tatpurusham) and the hidden sixth face of Shiva (Adhomukham: said to be visible to yogis). Some Gurus associate six with the main six chakras of our body. Kanda Puranam talks of how the six sparks that emerged from Shiva’s third eye became six infants on six lotuses. Lotuses are a symbol of the yogic path.

Six is also the number of the major negative emotions. Our worst enemies that prevent our progress are Kama (lust), Krodha (rage), Lobha (greed), Moha (obsession), Mada (arrogance), and Matsarya (jealousy). Skanda helps us overcome these emotions that keep sprouting up. And guides us to the bliss of Kailash.

The six temples listed below are in the order passed on from several generations.

Tiruparakundram

Located outside Madurai, this rock-cut temple is associated with the mooladhara chakra, where Kartikeya married Devasena or Devayanai (brought up by Indra) and was given in marriage after Murugan vanquished the asuras. We enter the temple by climbing steps to an inner cave to get darshan. The garbhagriham has Murugan with a beautiful smile (as he is the new bridegroom) with Devasena. And other gods flanking him, celebrating the union. As the murti in the garbha graham is a relief, the abhishekam is done to the Vel (his representation, the spear or shakti ayudham, a form of Devi herself).

A speciality is that the garbha graham also houses Devi as Durga. Along with Mahaganapathy, Vishnu as Pavalakanivai Perumal (the Vishnu with coral-like lips – it is this utsava murti who is brought to Madurai during the Meenakshi Sundereshwara wedding, as the brother of Devi Meenakshi) and Shiva as Parangirinathar (the ultimate lord of the mountains). Interestingly, Vishnu and Shiva face each other here. There is also a unique murti of Jwaraharadeva, the form of Shiva worshipped to treat and heal fevers.

Tiruparakundram - Murugan as Subramanya SwamyThe Six Powerspots Of Murugan Skanda: Aru Padaiveedu – Inditales
Tiruparakundram – Murugan as Subramanya Swamy

Tiruparakundram-Murugan as Subramanya swamy is flanked by Rishi Narada (bottom left) and Devasena/Devayanai (bottom right). On the upper sides are Surya and Chandtra. The bottom panel has Airavata (the elephant vahan of Indra-Devasena was brought up by Airavatam in Indra’s palace). Two devoted ganas (Idumban and Kadamban) and a ram (connecting Kartikeya to Agni, whose vahan is a ram, as Subramanya is considered the protector of the Vedas and Vedic rituals). A photo clicked by the author from his personal puja space.

Tiruchendur – Powerspots Of Murugan Skanda

This is the second temple on the seashore where the murti in the garbha graham is in the process of worshipping his father, Mahadeva. It was from here that he proceeded to battle with the demons Krouncha mountain, Tarakasura, Surapadma, etc. Although the temple is on the seashore, interestingly, a well called “Nazhikinaru” in the temple has non-salty water. Shree Adi Shankaracharya composed the beautiful Subramanya Bhujangam prayer here after darshan of the lord who holds a japamala, the spear, and a flower to worship Shiva. One shlokam says:

यदा संनिधानं गता मानवा मे
भवाम्भोधिपारं गतास्ते तदैव ।
इति व्यञ्जयन्सिन्धुतीरे य आस्ते
तमीडे पवित्रं पराशक्तिपुत्रम् ॥

As the son of Parashakti, you reside here near the seashore. Assuring those who have surrendered to you refuge from the ocean of existence and its trials (Shloka 4).

Utsava Murtis

There are four utsava murtis in the temple. Shanmukhar, Jayantinathar, Kumara Vidangar, and Alaivay Perumal. Every year, the MahaSkandaShasti festival (six days starting from Deepavali) is celebrated with great enthusiasm, during which the vanquishing of the asuras by Kartikeya is enacted. This is Samharam-meaning transforming the evil within into his own! The utsava murti called Jayanti Nathar (The lord of victory) transforms the evil Surapadman with the Vel from his mother into the peacock, which is his vahan, and a rooster, which is the emblem of his flag. This symbolizes converting our inner demons into resources or talents that are beneficial to us and the world.

Tiruchendur Subramanya Temple Gopuram - Powerspots Of MuruganTiruchendur Subramanya Temple Gopuram - Powerspots Of Murugan
Tiruchendur Subramanya Temple Gopuram

Tiruchendur Subramanya Temple gopuram and entrance with the prominent Vel. The Vel or spear (Shakti) was received by Murugan from his mother Devi Parvati, who is Adi Shakti herself. She gave him an amsha of herself as the weapon to vanquish asuras. Vel worship is very common in temples and in seekers’ homes. Photo taken by the author.

Another speciality is that the vibhuti or divine ash prasadam is given in a leaf called “Paneerillai (leaf)” that has 12 veins representing the 12 arms of Kartikeya.

अपस्मारकुष्टक्षयार्शः प्रमेह_
ज्वरोन्मादगुल्मादिरोगा महान्तः ।
पिशाचाश्च सर्वे भवत्पत्रभूतिं
विलोक्य क्षणात्तारकारे द्रवन्ते II

Terrible diseases like apasmara (neurological issues), kushta (leprosy), kshaya (deterioration), arsha, prameha, jwara (fever), gulma (swelling/inflammation), etc., and issues connected with ghosts are destroyed by just getting a glance of your vibhuti prasadam in the leaf.

-Shree Adi Shankaracharya in the 25th shloka of the Subramanya Bhujangam

Patravibhuti prasadam or paneer ilaivibhuti prasadam from TiruchendurPatravibhuti prasadam or paneer ilaivibhuti prasadam from Tiruchendur
Patravibhuti prasadam or paneer ilaivibhuti prasadam from Tiruchendur

The solution to countless physical or emotional diseases – Patravibhuti prasadam or Paneer Ilaivibhuti prasadam from Tiruchendur

Pazhani

When Narada offered a mango to Ganesha and Kartikeya, a contest was announced that the one who circambulates the universe first would get the mango. Kartikeya mounted his peacock and set off. While Ganesh went round Shiva and Shakti, stating they were the universe itself. As the mango was awarded to Ganesha, Kartikeya reached this hill in Dakshin Bharat, where, subsequently, it was explained that he is the very form of the fruit of wisdom (hence the name Pazhani, as pazham means ripened fruit in Tamil). This leela, enacted by divinity, reminds us that healthy arguments among loved ones are part of life.

Many masters say that Pazhani is the site where the energy from planet Mars is the strongest on Earth, which is why Kartikeya has been consecrated there. He gives darshan as a brahmachari renunciate, wearing the kaupina (loincloth) and rudraksha garlands, as well as in Raja alankaram, decked in all ornaments like an emperor. This is a reminder to each of us that each moment will pass!

Kartikeya as Dhandayuthapani

This temple has a murti of Kartikeya as Dhandayuthapani. He who holds a dandam (a symbol of renunciation, yoga, spirituality, correcting ourselves to reach the goal as per dharma) that is made of nine poisons (navapashanam) by a siddhar called Bhogar, made using alchemy. The sandal paste applied to the murti overnight is considered a curative for several ailments by seekers.

The prasadam of the temple, known as panchamirtam or the five sweet ingredients, including dates, honey, a special type of banana, etc., is very famous. Idumban carried two mountains, Shiva and Shakti hills, to the south. He was redeemed by Murugan on his way; he resides on Shakti Hill. And Murugan on the Shiva Hill.

This act of carrying two mountains on the shoulder by Idumban led to the carrying of the “kavadi”- a wooden structure with peacock feathers carrying pots of milk or honey or coins, carried by devotees even now during festivals of Skanda. It is a reminder that when his name is in our hearts and lips, our “burdens” become light and we, too, dance like peacocks.

Kavadi with milk pots or honey carried on the shoulders after a vow of “vrata” or penance, singing praises of Muruga Kavadi with milk pots or honey carried on the shoulders after a vow of “vrata” or penance, singing praises of Muruga
Kavadi with milk pots or honey carried on the shoulders after a vow of “vrata” or penance, singing praises of Muruga

A picture of a kavadi with milk pots or honey carried on the shoulders after a vow of “vrata” or penance, singing praises of Muruga and dancing, and offered at his feet. A reminder that life burdens, too, can be handled like this.

Nearby is the ‘Thiruaavinankudi’ temple (the kudi or home of he who was worshipped by Tiru or Lakshmi devi and Kamadhenu). Here, Kartikeya is called ‘KuzhanthaiVelayuthaswami’ or the young child who holds the Vel.

Swamimalai

Located near Kumbakonam is the mountain (malai) of swami (god), Kartikeya, who is worshipped as Swaminatha or the Lord of the Gods. It was here that he explained the meaning of the Pranava or OM to Shiva. When Brahma was questioned by child Murugan about the meaning of OM, the creator said he would not explain it to a child, which resulted in Kartikeya imprisoning him to tame his know-it-all attitude and rude refusal to share knowledge with a sincere seeker. When Shiva questioned his son whether he knew its meaning, the child asked his father to follow the established norm of the seeker bending down before the teacher and learning the answer. This has been beautifully represented by a sculpture in the temple.

Swaminathan

He is hence known as Swaminathan. One, who is the master of the master of all. This leela becomes a reminder that the older generation can also learn from the younger generation, as demonstrated by Mahadeva. That honest learning and teaching have no “physical age”. Interestingly, the vahana is an elephant and not the usual peacock (reminding one of Airavata, the vahana of Indra, who is the father-in-law of Murugan).

The elephant in front of him also reminds us that Swami can help us tame our excessive anger or other such patterns. The temple is reached by climbing 60 steps, representing the 60 years (samvastar) of the Tamil year calendar.

Tirutani

This fifth temple near Chennai is the site where Kartikeya married Valli Devi. One meaning of this name is the place where he cooled down (Thaninthu in Tamil) after vanquishing the asuras and united with Valli. Valli was brought up on Earth by the tribal chief Nambi. She vowed to wed Murugan after hearing about his valour. She guarded the millet fields from birds when Skanda came to woo her; not recognizing him, she chased him away.

Murugan remembered his brother Ganesha, who came as a wild elephant. The terrified Valli ran into the arms of Skanda, who had come as an old man, revealing his true form, and then married her. This romantic story reminds us of how many times the divine comes. But we (as represented by Valli, found among tubers, deeply rooted to the earthly realm) fail to recognize it. We may chase it away, but issues arise (like the elephant) to “frighten” or wake us up from our earthly attachments, so that we can take refuge and find bliss in the divine again.

This is also considered the site where Agastya Rishi worshipped the Lord. The revered composer Muthuswamy Dikshitar received divine guidance that led him to use “Guru Guha” in each of his songs as a signature.

Pazhamudhircholai – Powerspots Of Murugan Skanda

Located near the Azhagar temple near Madurai is this temple, which worships Skanda on a hill. The Pazham means fruit, and Cholai means forest, or an orchard rich in ripe fruits (Pazhamudircholai). He is Gnana shakti (knowledge) flanked by Devasena (kriya shakti or action) and Valli (icha shakti or the will). It was at this site that the Saint poetess Avaiyar was asked by a young shepherd as to whether she wanted roasted or raw fruits. When the poetess asked what roasted fruits were, the boy shook the fruit tree branches to drop the fruits.

To blow away the sand on the fallen fruits, Avaiyar blew the fruits. The boy asked, “Aren’t these fruits roasted as you ‘blew’ them” (don’t we blow things to cool them?). He revealed himself to be Kartikeya to show her the intricacies of the language and to remind us that whatever we learn is just a fraction of all available knowledge. This is the final place where he ripens us. Allows us to soak in the bliss of the sweet fruits of our tapasya and sadhana.

Mahaperiyava

Sri Kanchi Chandrashekhara Saraswati Swami, or Mahaperiyava, explains that Murugan married Devasena (the daughter of Indra from the heavens) and Valli (the daughter of the tribal chief on earth), thereby bridging the heaven and earth. Elders teach us a yogic meaning that Valli holds the lotus, associated with the earthly realm and connected with the Sun, as she is the Suryanadi, and Devasena/Devayanai holds the nilotpala, associated with the heavens and connected with the moon, as she is the Chandra nadi.

Elders also teach us that Devasena is kriya shakti-the power of doing; Valli is icha shakti-the power of wishing (there are differing opinions regarding the devis); Skanda is gyan shakti (the power of wisdom).

Do read: Batu Caves with a Giant Murugan

Muruga

There is no barrier for him, and he waits for our sincere call with love. Just his name, “MURUGA” – he rushes to illuminate our paths when we surrender to him as Skanda. When we are unable to handle darkness, he helps us overcome our inner negative patterns and karmas as Guru Swaminathan. As Guha guides us back to the path we forgot, to the bliss within the cave of our hearts.

Though not an AarupadaiVeedu, we conclude this with an astonishing temple in Nagapattinam. A special temple is the Singaravelan of Sikkal. Singara means beautifully decorated. Velan is the one who holds the Vel. The specialty of this temple is that one day before the Mahaskanda Shasti festival, the event of Murugan receiving the Vel from Mother Parvati is celebrated. The priest brings the Vel from Devi’s temple and places the Vel near Singaravelan. Sweat drops are formed on the murti, an astonishing leela of the divine, we can witness even now!

Singaravelan of Sikkal and the sweat beads formed after receiving the Vel from DeviSingaravelan of Sikkal and the sweat beads formed after receiving the Vel from Devi
Singaravelan of Sikkal and the sweat beads formed after receiving the Vel from Devi

Beautiful Singaravelan of Sikkal. On the right: The sweat beads formed after receiving the Vel from Devi (one day before Maha Skanda Shasti festival). The pictures were received on WhatsApp (grateful to the photo clickers and sharers; no copyright infringement intended)

Saint Arunagirinathar in Kanthar anubhuti

Uruvaiaruvaiuladhaiiladhaimaruvaimalaraimaniyaioliyaikaruvaiuyiraigadhiyaividhiyaiguruvaivaruvaiarulvaiguhaney!

Oh Guha!

  • Come to me with form; come to me without any form (an experience)
  • Come as an experience to those who seek you
  • Come as silence to those who shun you
  • Come as the flower and its fragrance
  • Come as the precious stone and its shine
  • Come to me as life itself when you save us during the pralaya and recreate life as the embryo
  • Come to me as my fate
  • Come to me as my Guru and show me the way to you!

Saint Arunagirinathar in Kanthar anubhuti (prayers describing the experience of Skanda)

Author’s Bio

Author ShivSanjeevi SripathiAuthor ShivSanjeevi Sripathi

ShivSanjeevi Sripathi is an author/co-author of books on biotechnology/life. In his free time, he researches and gives talks on ancient Indian practices, temples, and systems. This research compiles the science of traditional practices. And how to interpret them in today’s context. He has taught and interpreted several mantras and shlokas to a global audience as a service. He has appeared in a TV show on Hindi Khabar channel on a series of talks covering different temples and customs titled “Bharat ek punahkhoj” (2019-2020).



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山间清晨的宁静时光
发现世界文化之美
快乐生活每日小记录
秋日湖边摄影故事
自然风光探索笔记
午后咖啡与书香时光
城市建筑创意观察
四季花草生活笔记
美食文化与生活故事
冬日暖阳下的回忆
寻找古老街道的故事
绿色生活创意指南
海边黄昏摄影随笔
艺术世界里的色彩故事
简单健康的每日生活
星空下的森林小屋
探索历史文化的足迹
雨后花园的清新时刻
春日河畔的悠闲时光
古城街巷里的文化故事
清晨森林自然观察笔记
家庭花园四季生活记录
寻找生活中的艺术灵感
秋日山间旅行故事
现代家居创意设计分享
午后阳光与阅读时刻
探索世界美食文化
夏夜星空摄影日记
城市公园里的绿色生活
传统工艺背后的故事
海边黄昏的温暖记忆
简单快乐的日常生活
山谷里的自然风景记录
城市建筑与创意空间
冬日午后的咖啡时光
探索历史文化的记忆
雨后森林里的清新世界
创意生活每日小发现
湖边小屋的温馨故事
绿色植物与家庭生活
夜晚城市灯光摄影记录
健康饮食与生活方式
四季自然色彩观察
快乐周末家庭日记
古老艺术文化探索
清风中的田园生活故事
春天花园里的清新早晨
森林小路上的自然故事
城市夜色中的温暖灯光
传统文化艺术探索笔记
夏日湖边的悠闲时光
现代生活中的创意灵感
秋季森林摄影生活记录
快乐家庭的周末故事
探索古老建筑的魅力
午后咖啡与阅读随想
自然世界里的奇妙色彩
简单健康生活每日分享
山谷清晨旅行摄影日记
创意家居空间设计灵感
世界美食文化生活记录
冬日阳光下的美好时刻
城市街角艺术发现之旅
绿色植物与生活美学
海边黄昏的宁静记忆
四季自然风景观察笔记
古老街道里的历史故事
星空下的安静阅读时光
雨后山林的清新世界
春日山野里的清新空气
城市清晨的生活故事
森林深处的绿色世界
传统文化艺术生活笔记
夏日湖边摄影时光
现代家庭创意生活指南
秋天森林里的温暖故事
寻找自然世界的色彩
快乐周末阅读生活记录
古老街道文化探索日记
午后花园里的宁静时刻
山川湖泊自然摄影分享
健康饮食与简单生活
海边黄昏旅行随笔
未来科技生活新发现
冬日咖啡与书香时光
创意家居设计生活灵感
四季花草自然观察笔记
城市建筑背后的故事
雨后森林里的漫步时光
世界美食与文化探索
星空下的乡村生活故事
艺术世界里的创意发现
清晨河边的安静时光
绿色生活每日小知识
古镇历史文化漫步记录
温暖阳光里的幸福生活
春日花园里的悠闲时光
城市夜色与灯光故事
森林清晨自然观察笔记
传统手工文化探索之旅
夏日湖畔的温暖记忆
创意家庭生活新灵感
秋季山林摄影随笔
寻找古老街巷的故事
午后阅读与咖啡生活
自然世界中的美丽色彩
健康生活每日新发现
海边黄昏摄影故事
现代城市建筑艺术观察
冬日森林里的宁静时光
世界美食与文化生活
山间小屋的温馨故事
四季花草种植生活记录
艺术世界里的奇妙发现
清晨河畔的绿色风景
简单快乐家庭生活日记
历史建筑文化漫步记录
星空下的安静阅读时刻
绿色生活与自然探索
雨后城市的清新早晨
创意家居设计生活分享
乡村田野里的美好时光
古典艺术与现代生活
湖边日落的温暖故事
春日森林里的清晨阳光
城市生活中的艺术发现
秋日花园的温暖故事
探索古老文化的魅力
湖边午后的阅读时光
现代家庭生活创意分享
夏日山谷自然摄影日记
简单快乐的每日生活
传统手工艺术探索笔记
城市夜晚的美丽灯光
绿色生活与自然故事
冬日咖啡与温暖时刻
世界美食文化生活记录
山间小路旅行随笔
星空下的宁静生活
创意家居空间设计灵感
四季花草自然观察记录
雨后森林里的清新空气
历史建筑背后的文化故事
清晨河畔的悠闲时光
艺术世界里的奇妙色彩
乡村田野的美好记忆
健康生活每日小知识
海边日落摄影生活日记
古镇街巷文化漫步
花园里的快乐生活故事
探索自然世界的新发现
午后阳光里的安静时光
现代城市生活观察笔记
春日湖边的悠闲生活
城市街角的艺术故事
清晨森林里的自然声音
传统文化生活探索笔记
夏日花园摄影故事
现代家庭创意空间
秋日山谷里的温暖阳光
寻找生活中的美好瞬间
午后咖啡与书香生活
世界美食文化探索日记
冬日森林的宁静故事
绿色植物与家居生活
山间小路旅行随想
古老建筑里的历史记忆
快乐周末生活记录
星空下的安静阅读时间
四季自然色彩摄影笔记
创意艺术与生活灵感
雨后花园里的清新时刻
简单健康的每日生活
城市夜晚灯光摄影记录
乡村田园里的幸福时光
探索艺术世界的新发现
海边清晨的温柔阳光
花草世界自然观察日记
古镇街巷里的生活故事
春日森林里的温暖阳光
城市街头艺术生活记录
清晨湖畔的宁静故事
传统文化与生活美学
秋季山谷自然摄影笔记
现代家庭创意生活分享
夏日花园里的美好时光
探索古老艺术文化故事
午后咖啡与阅读生活
绿色植物自然观察日记
冬日小屋里的温馨故事
世界美食文化探索笔记
星空下的安静阅读时光
四季花草生活新发现
雨后森林的清新世界
创意家居设计灵感分享
海边黄昏的浪漫风景
古镇街道里的历史记忆